Now that my residency has concluded, I’ve set up the Rahoy Hills Gallery with the completed artworks, available to view and purchase. The work will be on sale from today 1st December 2020, and for the first two months until the end of January 2021, 30% of sales will go to support the valuable work of the Scottish Wildlife Trust site ranger. There’s also a linked playlist of videos covering some of my experiences, and work done on site. So, there’s lots of artworks to see and buy – many created amidst the beautiful surroundings on-site, whilst sometimes battling midges, rain, and even some blistering heat! Also view the Rahoy Hills Residency playlist on my YouTube channel ArtLearn Studio. TAKE A LOOK NOW!
Once the Coronavirus lockdown ended, I was able to make a further two visits to the site, in August, and September 2020 to conclude the residency. I created a number of artworks on site and have filmed several of these being created in-situ. These can be seen in the Rahoy Hills Residency playlist of my ArtLearn Studio You Tube channel. They can be viewed HERE. Resulting work – with a percentage of funds from sales going to support the work of the Scottish Wildlife Trust ranger will be available for viewing on this website.
Check out my work in the window J&G Innes – the fabulous bookshop, art store, gallery and more in historic St Andrews, Fife. Lots of pieces for sale.
Lots of great videos to check out, with more free demos on the way on my new You Tube channel, ArtLearn Studio: https://www.youtube.com/channel/UCmeic_pA8fGUKmA0Ta7iQkQ/videos. Let me know what you think, and if you have any ideas for other video content you’d like to see!
This exhibition has now finished!
In the absence of being able to make further site visits at present, due to government Coronavirus lockdown measures, I have been progressing mostly large monochrome artworks from the reference sketches and photos taken at my last visit. These are also evoking the memories of experiencing these unique environments first hand. These pieces – with working titles – may be developed and worked up, or form the basis of new artworks. The large charcoal pieces are around 60cm X 40cm. The small square mixed media ones, 12cm X 12cm.
CHARCOAL: GORGE SPLASH FERNS The cascading water falling into the gorge, and splashing up off rocks through the ferns, with the water curtain dropping down behind. Strong, quick marks made with the side of the charcoal stick.
CHARCOAL: DEEP DOWN IN THE GORGE Aiming to capture the shafts of light within the depths of the gorge, and the shadows cast by rotting fallen trees and the vegetation hanging like a tropical rain forest. Trying to convey the experience I felt of being in these largely inaccessible places.
CHARCOAL: PHOENIX TREE Highlighting the snapped roots at the base of the tree but focussing on the vigorous uplift of the branches toward the sky, through the dramatic shaft of light.
CHARCOAL: ROOTS AND BLOCKS The contorted forms of these roots clinging to the walls of the gorge appeared animated, poised to writhe out witch-like from between the stones. The background is left largely unmarked to highlight these outreaching tendril fingers.
MIXED MEDIA: PHOENIX TREE BRANCHES AND BLOCKS Observing the forms of boulders brought up from below ground by the fallen tree having pulled up the boulders, grasping them within its roots. Abstract collage with partial charcoal drawing of its horizontal branches.
MIXED MEDIA: TREE DEPTH Immersed in the denser parts of the woodland of oak and old, contorted birch showing the depth of forms, each forging their growth upwards to compete for available light. Ink, graphite and acrylic.
MIXED MEDIA: TREE DEPTH DIPTYCH Shafts of light contrast with the darkness, deep down in the undergrowth. Ink, graphite and acrylic.
CHARCOAL: TREE LIGHT SHAFT Light reflecting off the the rippled surface of Loch Arienas backlighting a lone ash tree at its shore, near the ruined settlement.
CHARCOAL: UPSIDE-DOWN 1 Due to the arrangement of vegetation in some of the higher parts of the reserve, it is sometimes referred to as an ‘upside-down’ landscape. Here, I have extended the theme to include simplified representations of inverted birch trees, the widened bases of which are set at the top.
CHARCOAL: UPSIDE-DOWN 2 Second variation of the above theme.
CHARCOAL: UPSIDE-DOWN 3 Third variation of the above theme.
CHARCOAL: WATERWAYS 1 Exploring the graphic potential of the hard edges where the rocks meet the water surfaces, diverting and splitting the flow in several directions simultaneously. These observations may lead to future mixed media work.
CHARCOAL: WATERWAYS 2 Second variation of the above theme.
PLEASE NOTE THAT FOLLOWING GOVERNMENT INFORMATION AND HEALTHCARE ADVICE REGARDING THE CORONAVIRUS SITUATION, ALL WORKSHOPS AND CLASSES ARE ON HOLD.
Many thanks to Laura Coventry at D.C. Thomson Media, Glasgow for the great two page article and front page profiling my work, and some of the events I’ve coming up:
‘Meet the Artist, Watch & Try’ will be my involvement in this day to celebrate the birthday, and life of Beatrice Sharp, prominent member the family who were the past inhabitants of this wonderful stately home during Edwardian times. I’ll be working from floral still lifes (Beatrice had a passion for all things floral), showing the processes involved in creating a painting, as part of a day involving not only art, but live period music, guided tours of the mansion, and activities for all ages. 11am-4pm Saturday 29th February. I will also have an exhibition of paintings in the Conservatory Cafe where you can view (and buy!) my work while enjoying coffee and cake. What a full-on day!
Here’s their flyer: